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The CRYSTALLIZED work reproduces a dynamic feeling and acts as a catalyst for my own life experience.
Oriented towards a "hyper aesthetic" and geometric abstraction, recovering the human figure as a central reference, with an abstract treatment (disintegrating the figure). Where I once again emphasize the use of color as a leitmotif.
In this work I reflect a certain plastic forcefulness, with notable references to the most sophisticated urban language.
The central human geometric structure, in contrast to the flat lateral color that frames it, works as an invitation to the imagination. Combine two worlds, that of abstraction and figuration.
I think that this binomial "enshrines" a certain distinctive stamp in my career and way of understanding the plastic. With an abstraction that tries to show the “frozen” pictorial gesture, like a frame (pictorial, dynamic and captured movement), on the surface.
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